Why Women Batter "He wasn't sensitive to my needs. It promotes a gender-polarizing view that battering is a conscious strategy by men to assert male dominance over women.
Each element should be followed by the punctuation mark shown here. Earlier editions of the handbook included the place of publication and required different punctuation such as journal editions in parentheses and colons after issue numbers. In the current version, punctuation is simpler only commas and periods separate the elementsand information about the source is kept to the basics.
End this element with a period. Depending upon the type of source, it should be listed in italics or quotation marks. A book should be in italics: An individual webpage should be in quotation marks.
The name of the parent website, which MLA treats as a "container," should follow in italics: A song or piece of music on an album should be in quotation marks: Title of container Unlike earlier versions, the eighth edition refers to "containers," which are the larger wholes in which the source is located.
For example, if you want to cite a poem that is listed in a collection of poems, the individual poem is the source, while the larger collection is the container.
The title of the container is usually italicized and followed by a comma, since the information that follows next describes the container. The container may also be a television series, which is made up of episodes.
The container may also be a website, which contains articles, postings, and other works. Interview by Gareth Von Kallenbach.
In some cases, a container might be within a larger container. You might have read a book of short stories on Google Books, or watched a television series on Netflix.
It is important to cite these containers within containers so that your readers can find the exact source that you used. Accessed 27 May Other contributors In addition to the author, there may be other contributors to the source who should be credited, such as editors, illustrators, translators, etc.
If their contributions are relevant to your research, or necessary to identify the source, include their names in your documentation. In the eighth edition, terms like editor, illustrator, translator, etc. A History of Insanity in the Age of Reason.
Annotated and with an introduction by Vara Neverow, Harcourt, Inc. Version If a source is listed as an edition or version of a work, include it in your citation. Crowley, Sharon, and Debra Hawhee.
Ancient Rhetorics for Contemporary Students. Number If a source is part of a numbered sequence, such as a multi-volume book, or journal with both volume and issue numbers, those numbers must be listed in your citation.
Current Conditions and Future Directions. The International Online-Only Journal, vol. Accessed 20 May Publisher The publisher produces or distributes the source to the public. Museum of Modern Art, New York. Problems of the Digestive System.Irving Textual Analysis of "The Legend Of Sllepy Hollow" - Textual Analysis of "The Legend of Sleepy Hollow" 1.) Romantic Description: a.
pg. - "there is a little valley, or rather lap of land, among high hills, which is one of the quietest places in the whole world. The Online Writing Lab (OWL) at Purdue University houses writing resources and instructional material, and we provide these as a free service of the Writing Lab at Purdue.
Turnitin provides instructors with the tools to prevent plagiarism, engage students in the writing process, and provide personalized feedback. Below you will find five outstanding thesis statements / paper topics for “Frankenstein” by Mary Shelley that can be used as essay starters.
An example of first wave feminist literary analysis would be a critique of William Shakespeare's Taming of the Shrew for Petruchio's abuse of Katherina.
Second Wave Feminism: Gynocriticism Elaine Showalter pioneered gynocriticism with her book A Literature of Their Own (). New Criticism.
A literary movement that started in the late s and s and originated in reaction to traditional criticism that new critics saw as largely concerned with matters extraneous to the text, e.g., with the biography or psychology of the author or the work's relationship to literary history.